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The switch in recognition is eerie: I go from seeing rushing patterns in the sky to the realization that they are made of thousands of beating hearts and eyes and fragile frames of feather and bone. I watch the cranes scratching their beaks with their toes and think of how the starling flocks that pour into reed beds like grain turn all of a sudden into birds perching on bowed stems, bright-eyed, their feathers spangled with white spots that glow like small stars. I marvel at how confusion can be resolved by focusing on the things from which it is made. The magic of the flocks is this simple switch between geometry and family.

The Human Flock Helen MacDonald